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Showing posts from July, 2026

The Ex Vows, by Jessica Joyce

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The Ex Vows by Jessica Joyce My rating: 3 of 5 stars I did not hate "The Ex Vows", but I found Georgia and Eli so persistently irritating that the novel never became more than a frustrating, middling read. Jessica Joyce still knows how to write atmosphere, banter, and emotional history, and the wedding-disaster setup gives the book enough momentum to stay readable. But the romance itself kept getting in its own way, and after a while I was less invested than exasperated. Georgia is frustrating in a very specific manner. She is so afraid of her own feelings, and so terrified that another attempt at this relationship might fail, that her caution gradually hardens into monotony. I understood where that fear came from, but understanding it did not make it any less irritating to watch her retreat from feeling over and over again. The novel clearly wants that fear to read as emotionally rich, yet for me it mostly read as repetitive. Eli annoyed me even more, because the book insis...

Down Among the Sticks and Bones (Wayward Children #2), by Seanan McGuire

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Down Among the Sticks and Bones by Seanan McGuire My rating: 3 of 5 stars Not the heartbreak of coming back, but the origin story I did not really need I opened my review of the first instalment, “ Every Heart a Doorway ”, with the line “Not the fantasy of going through the door, but the heartbreak of coming back.” “Down Among the Sticks and Bones” turns that idea inside out. This time, Seanan McGuire gives us the fantasy of going through the door, tracing the origins of Jack and Jill in a story that reaches for the shape, logic, and menace of a fairy tale. For me, though, that shift is precisely where the novella loses some of what made its predecessor so affecting. » On the day our story truly starts « That line captures one of my main frustrations with the book. By the time the story “truly” starts, more than a fifth of the novella has already passed, and I felt that delay. I understood what McGuire was trying to do by showing the damage inflicted on the sisters before they ever ...

The Fiancée Farce, by Alexandria Bellefleur

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The Fiancée Farce by Alexandria Bellefleur My rating: 4 of 5 stars After the disaster that the latest “Bruno” turned out to be, “The Fiancée Farce” was exactly the palate cleanser I needed: warm, funny, queer, and far more wholehearted than its knowingly ridiculous premise might suggest. On paper, a marriage of convenience is one of the oldest romance contraptions in the book. In practice, Alexandria Bellefleur makes it feel fresh because the romance is built not on trope, but on trust. What charmed me most was not simply that Gemma and Tansy want each other. It was that they begin, almost instinctively, to tell each other the truth. » these days, she was nothing if not brutally honest with herself « That matters. A lot of contemporary romances, including very good ones, still run on people withholding the one thing that would make the relationship real. “The Fiancée Farce” takes the more generous route. Tansy begins from a lie, yes, but the emotional shape of the novel comes from t...

A Murder in Springtime (Bruno, Chief of Police #19), by Martin Walker

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A Murder in Springtime by Martin Walker My rating: 2 of 5 stars Less murder mystery than background noise in St. Denis. “A Murder in Springtime” ought to have been a return to what these Bruno novels used to do well: a local crime, a lived-in village, familiar people, and a mystery that actually matters more than the garnish around it. Instead, I found myself trudging through a novel that seemed oddly embarrassed by its own murder plot, forever wandering off into side-business, social clutter, stale emotional nonsense, and the usual namedropping of recurring figures who barely justify their presence. The international spy absurdity may be gone, and that is a mercy, but Walker has not replaced it with focus. » It might not have been quite like the old days « No kidding. That line lands almost like an accidental confession. The book keeps gesturing towards the older, better Bruno formula, but it never really recovers it. The murder feels secondary for far too long, and by the time the ...