Wulf's Book Reviews

My rating: 1 of 5 stars “The Way We Play” is a miserable reading experience, not because its tropes are inherently objectionable, but because they replace characterisation, logic, and genuine chemistry. The premise has workable ingredients: a cautious thirty-year-old caring for her younger brother, and an injured former kicker with a repairman’s trade. Yet the novel turns every element into a contrivance designed to prove that Rachel and Zane are destined for each other. The book practically announces this problem itself: » Zane Bradford appeared at the perfect time. « That is not foreshadowing. It is the author waving a large sign labelled “plot convenience”. Nothing feels credible. Rachel’s responsibilities exist mainly to make Zane indispensable, while Zane alternates between wounded alpha hero, miraculous rescuer, and muscular plot device. Their supposed conflict never develops into convincing friction. They announce attraction, trauma, and eternal devotion at one another, and the ...

Meine Bewertung: 3 von 5 Sternen Ein Krimifestival in Roscoff, eine ermordete Zwiebelbäuerin, Konflikte bei Celtic Ferries, Drohparolen an Hauswänden und eine obskure Zwiebel-Bruderschaft: „Bretonischer Glanz“ bringt zunächst alles mit, was einen Dupin-Krimi ausmacht. Roscoff ist stimmungsvoll, die bretonische Küste leuchtet, Kaffee und regionale Spezialitäten werden mit der gewohnten Hingabe serviert. Dupin bleibt als grantiger, eigenwilliger, zugleich menschlicher Ermittler erfreulich stabil; auch Riwal und Kadeg sorgen für vertraute Komik. Dann aber beginnt der Roman, sich auf eine Weise mit Autor_innen und Autorentum zu beschäftigen, die nicht ironisch, sondern vor allem selbstgefällig wirkt. Bannalec lässt eine Autorin sagen: » Was viel heißt, die große Mehrheit der Autoren leidet an schwerem Narzissmus, nicht selten in pathologischem Ausmaß. « Der Satz wäre ein hübscher Seitenhieb, wenn der Roman nicht umgehend selbst den Beweis antreten würde. Robert Rouxel schreibt über einen K...

Something Wilder by Christina Lauren My rating: 2 of 5 stars “Something Wilder” wants to be a second-chance romance, a treasure-hunt caper, and a desert survival thriller. Lily Wilder stages fake treasure hunts through Utah using the hand-drawn map she has from her father. Leo, her first love, returns with friends, and Lily’s map pulls them towards a real treasure hunt. The route back to the ranch and to each other soon becomes a violent scramble involving guns, knives, death, greed, and a suspiciously reusable set of villains. Attractive premise, poor execution. » An explosion detonated in his blood. « That sentence appears twice, in Chapters Thirteen and Fifteen; Chapter Twenty-One repeats the same blood-and-fire image twice more. The pattern feels less like a developing motif than a shortcut: whenever desire peaks, the prose reaches for combustion instead of letting the characters carry the scene. Romantic-adventure capers need momentum, danger, and protagonists whose choices becom...

The Ex Vows by Jessica Joyce My rating: 3 of 5 stars I did not hate "The Ex Vows", but I found Georgia and Eli so persistently irritating that the novel never became more than a frustrating, middling read. Jessica Joyce still knows how to write atmosphere, banter, and emotional history, and the wedding-disaster setup gives the book enough momentum to stay readable. But the romance itself kept getting in its own way, and after a while I was less invested than exasperated. Georgia is frustrating in a very specific manner. She is so afraid of her own feelings, and so terrified that another attempt at this relationship might fail, that her caution gradually hardens into monotony. I understood where that fear came from, but understanding it did not make it any less irritating to watch her retreat from feeling over and over again. The novel clearly wants that fear to read as emotionally rich, yet for me it mostly read as repetitive. Eli annoyed me even more, because the book insis...

Down Among the Sticks and Bones by Seanan McGuire My rating: 3 of 5 stars Not the heartbreak of coming back, but the origin story I did not really need I opened my review of the first instalment, “ Every Heart a Doorway ”, with the line “Not the fantasy of going through the door, but the heartbreak of coming back.” “Down Among the Sticks and Bones” turns that idea inside out. This time, Seanan McGuire gives us the fantasy of going through the door, tracing the origins of Jack and Jill in a story that reaches for the shape, logic, and menace of a fairy tale. For me, though, that shift is precisely where the novella loses some of what made its predecessor so affecting. » On the day our story truly starts « That line captures one of my main frustrations with the book. By the time the story “truly” starts, more than a fifth of the novella has already passed, and I felt that delay. I understood what McGuire was trying to do by showing the damage inflicted on the sisters before they ever ...

A Murder in Springtime by Martin Walker My rating: 2 of 5 stars Less murder mystery than background noise in St. Denis. “A Murder in Springtime” ought to have been a return to what these Bruno novels used to do well: a local crime, a lived-in village, familiar people, and a mystery that actually matters more than the garnish around it. Instead, I found myself trudging through a novel that seemed oddly embarrassed by its own murder plot, forever wandering off into side-business, social clutter, stale emotional nonsense, and the usual namedropping of recurring figures who barely justify their presence. The international spy absurdity may be gone, and that is a mercy, but Walker has not replaced it with focus. » It might not have been quite like the old days « No kidding. That line lands almost like an accidental confession. The book keeps gesturing towards the older, better Bruno formula, but it never really recovers it. The murder feels secondary for far too long, and by the time the ...

Reliquary by Douglas Preston My rating: 2 of 5 stars “Reliquary” is what happens when a sequel mistakes escalation for improvement. Where “ Relic ” ( review ) was a fast-paced thriller that, for me, got the basics right and delivered genuine suspense in a tightly contained setting, “Reliquary” sprawls, overexplains, and keeps piling on lurid ideas until the whole thing starts to wobble under its own weight. It still has energy, and now and then it lands a scene well, but mostly I found myself watching it become more absurd with every new revelation. Its old-fashioned impulse to go big, dirty, and nasty is not a strength here but one more reason the whole thing feels overcooked and heavy-handed. Preston and Child clearly want the New York underworld here, literal and figurative, to feel mythic, diseased, and overwhelming. At moments, that works. There is proper propulsion in some of the descents into the underground, and the book can still generate suspense on a scene-by-scene level. O...

Middle of the Night by Riley Sager My rating: 2 of 5 stars I picked “Middle of the Night” up because a Goodreads friend recommended it. In hindsight, I really should have known better. Riley Sager has been wildly uneven for me, and this novel lands firmly on the wrong side of that divide. At first, the setup works. A vanished boy, a suburban cul-de-sac, a traumatised adult returning to the scene of childhood horror, sleepless nights, uneasy neighbours, dark woods. That is exactly the sort of material from which a properly creepy thriller can be made. Sager knows how to build that initial itch of dread, and for a while I kept reading in the hope that the book would cash in on its atmosphere. » The worst thing to ever happen on Hemlock Circle… « The problem is that the novel gradually mistakes strangeness for depth. What begins as eerie and potentially poignant becomes weird in a way that feels more contrived than unsettling. The story grows increasingly complicated without becoming ri...

Platform Decay by Martha Wells My rating: 3 of 5 stars Platform Decay should have felt like a homecoming. Instead, it feels like being shoved out of an airlock and told to keep up. I absolutely loved Murderbot at its best. The early books worked because the action was never really the point, or at least never the whole point. The point was the anxious, avoidant, furious, funny, traumatised self hiding underneath the armour. Murderbot was compelling because every mission doubled as self-exploration: what does freedom mean, what does personhood mean, what does friendship mean when even admitting you have friends feels like an exposed nerve? "Platform Decay" knows that version of the series still exists, but it only lets us see it in flashes. » ”SecUnit.” « That one word, from Mensah, carries more emotional weight than whole stretches of the surrounding plot. Likewise, the late moment where Murderbot acknowledges being surrounded by friends is exactly the sort of subtle, painf...

Facets of Death by Michael Stanley My rating: 3 of 5 stars "Facets of Death" is a strange sort of prequel: useful if you already like Detective Kubu, but not quite alive enough to explain why you should. On paper, it has all the right ingredients. A huge diamond robbery in Botswana, an inside-job suspicion, cross-border violence, and young David “Kubu” Bengu entering the Criminal Investigation Department with more education than field experience. The opening has that procedural promise I usually enjoy: logistics, institutions, competence, and a crime whose mechanics matter. What works best is Kubu himself. Even in this younger version, he is recognisably the man I like in the later books: observant, stubborn, fundamentally decent, and already more interested in understanding people than in swaggering through a case. I enjoyed seeing the early shape of him, especially the way his intelligence has to push through resentment from colleagues who do not quite know what to do with...

The Vanishing Neighbor by Ava Roberts My rating: 2 of 5 stars “The Vanishing Neighbor” wants to be a glossy domestic thriller about belonging, grief, and the violence that can hide behind curated neighbourhood charm. Its hook is simple and promising: Grace is at a neighbourhood party, slips away for half an hour, and that small absence becomes suspicious when Sadie, the beloved neighbour, later goes missing. In the hands of a sharper book, this could have been a tight little study of how a community turns predatory the moment it smells weakness. Instead, it reads like something shallow, but desperately pretending to be more. Grace, our viewpoint and reluctant investigator, is the one-eyed king among the blind, surrounded by people blinded by their own perceived importance and supposed social standing. The problem is that the novel mistakes that setup for depth. It keeps gesturing at “appearances” and “secrets” as if naming them were the same as exploring them. Characters do not feel l...

The Co-op by Tarah DeWitt My rating: 3 of 5 stars Tarah DeWitt’s "The Co-op" was a strange reading experience for me. On paper, it should have been effortless: a contentious teenage fling, a decade of distance, then shared ownership of a dilapidated Santa Cruz building that forces LaRynn Lavigne and Deacon Leeds into proximity and co-operation. In practice, it kept oscillating between "this has real spark" and "why is this not doing more with what it has?". I felt compelled to keep going because the book does have moments that are tender, funny, and quietly recognisable. It had its moments, but the gaps were glaring. At its best, it sketches LaRynn with a sharp self-dislike that rings true, and it lets Deacon’s antagonism come edged with understanding. » Even at eighteen, half a step into adulthood, she was permanently on the verge of a fight, nothing and no one around her ever good enough. « The bigger structural issue is how often the story chooses sum...

This Book Made Me Think of You by Libby Page My rating: 3 of 5 stars "This Book Made Me Think of You" has a premise that all but guarantees a soft landing: a grieving woman, a stack of handpicked books, and letters from a husband who knew he would not be there to shepherd her through the first year without him. For the opening stretch, it works. The grief is immediate, the numbness feels recognisable, and the bookshop setting offers a believable kind of shelter. » Crying like that had emptied her out completely. « That is the novel at its best: plainspoken, emotionally attentive, and willing to sit in the messy quiet after a loss. Tilly’s tentative return to reading is also a lovely idea, because it promises something literature can genuinely do - give you language, shape, and temporary room to breathe. The trouble is that the “journey” takes far too long, and not in a luxuriant, character-driven way. It is long as in dilated: set pieces that should have sharpened into tran...

The Island by Adrian McKinty My rating: 2 of 5 stars Bog-Standard Survival, Served With a Side of Pretension This is one of those “family vacation turns nightmare” survival thrillers that runs perfectly well on rails, and that’s exactly the problem: I’ve seen these rails so often that there’s no tension left in them. “The Island” isn’t badly written, and it certainly keeps moving, but it’s moving through a landscape of ideas that has been strip-mined for decades. You can almost hear the genre machinery: chase, threat, escalation, “resourcefulness”, repeat. What really sank it for me is the book’s intermittent insistence on being profound. Every now and then, the prose swells up, as if volume could substitute for insight. Chapter 24 gives us: » Civilization meant nothing here. Perhaps it had always meant nothing. There were no monsters on Dutch Island, but the beast was man, had always been man. « This is not depth, it’s a poster slogan pretending it just discovered human nature. Even...

Talking to the Dead by Harry Bingham My rating: 3 of 5 stars This was an odd, sometimes compelling, sometimes exasperating mix of police procedural and psychological thriller, and it never quite decides which one it wants to be. The result, for me, is a book that kept pulling me along, then tripping itself up. The premise is undeniably strong: a "damaged", hyper-observant detective-in-training, a grim Welsh setting, a dead girl who does not stay neatly dead (at least, not in the way the narrative wants her to), and a mystery with enough hooks to keep the pages turning. When Bingham focuses on the investigation, the novel has that familiar genre satisfaction: clues, reversals, institutional friction - albeit with a slightly skewed angle that separates it from the more straightforward, momentum-first crime writing I usually enjoy. » I tell him that there’s one man dead, and four others, who might or might not be dead by the time help arrives. « My main problem with this novel...

The Dutch House by Ann Patchett My rating: 2 of 5 stars “ But nothing ever happens ” - “Lemon Tree” (Fool’s Garden) I’m going to spoil this rather thoroughly, so proceed with mild caution. Maeve and Danny are the children of Cyril and Elna Conroy. Cyril built a property empire from scratch, taking Danny along to collect rent in cash. Maeve, Danny’s older sister, is mostly sidelined and left in the care of “Fluffy”, the nanny, and the household staff, Sandy and Jocelyn. » “Money,” our father said, nodding. It wasn’t a complicated idea. « Elna is largely out of the picture after leaving, first periodically, soon permanently. While Danny is mostly unaffected due to not even remembering his mother, Maeve is desperate to see her again. A few years after Elna leaves, Cyril marries his second wife, Andrea, who becomes Maeve’s and Danny’s evil stepmother. When Cyril unexpectedly dies, Andrea basically evicts everyone but her own two children, Norma and Bright, from the eponymous “Dutch Hous...

The Girl in the Ice by Robert Bryndza My rating: 3 of 5 stars A young high society woman is murdered and DCI Erika Foster from the London Metropolitan Police is sent to investigate. Foster has just returned from extended compassionate leave after her husband’s death, which she blames herself for - on basically every single page. Either because of that or because she has a completely annoying personality, Foster is pretty much constantly acting offensive, rude, and annoying. As if that weren’t enough in itself, she keeps making spectacularly stupid mistakes: She goes to the slummiest bars on her own, she searches a home she has to assume is life-threateningly dangerous on her own, even after having been assaulted by the murderer before. There doesn’t seem to be much more to her character either: Throughout the entire novel, Foster remains a sketch of herself. Apart from working, she doesn’t seem to do or reflect on anything. Since she gets suspended for insubordination relatively earl...

These Silent Woods by Kimi Cunningham Grant My rating: 2 of 5 stars Gorgeous setup, then a miraculous theological derailment Wow, didn’t that blurb read great? And it started off well enough in the woods where Cooper and his daughter have been hiding for years. The atmosphere felt genuine and plausible, the prose was smart and elegant, the characters endearing - what could possibly go wrong? Cooper especially, and Finch to a lesser extent, live a tense but ultimately peaceful life: they hunt and gather, roam through the wilderness, and they do so frequently, extensively, and repeatedly. Yes, some of these excursions bring new information, but did we really need to hear about the “King of Trees” and each of its manifold brethren? Well, yes, I felt bored with large parts of this novel, but then it got worse: A certain character is introduced, and suddenly, drastically, the story springs into action. What ensues is completely unbelievable and seems to be the author’s traditionalist theo...

We Do What We Do in the Dark by Michelle Hart My rating: 3 of 5 stars I’m really torn over this one: I liked Mallory, the queer protagonist of this story, and most other characters were also interesting. For me, the major let-down is the story itself: the first part tells us about Mallory’s affair with a professor, only ever referred to melodramatically as “the woman”, from her college and the affair’s circumstances. I found that mostly… boring. As problematic as this affair is due to power differences, conflict of interest, fairness to others, in the end it’s a “normal” affair - one partner (Mallory) silently hoping “the woman” will leave her husband (which she tells Mallory she won’t), the other hoping for non-disclosure and enjoying the hero worship by a younger person. We then shift to Mallory’s childhood and youth during which she discovers she’s queer. This part is relatable but, again, just not all that interesting. Finally, the story moves a few years forward and Mallory and ...

The Wolf Tree by Laura McCluskey My rating: 3 of 5 stars She has a death wish, he’d rather retire than help—in “ The Wolf Tree ” by Laura McCluskey , Georgina “George” Lennox and Richard “Richie” Stewart make for a weird pairing in a complicated story about life and death on Eilean Eadar, an isolated Scottish island. After months of leave due to having been injured during an operation, George makes it back to the police force and her old partner, Richie. Their assignment is to look into the assumed suicide of a young man from the aforementioned island, due to “inconsistencies”. At the outset, everything seems fine and the small community of about 200 people is close-knit. And, yet, there is something “off” from early on that neither the reader nor the inspectors can exactly point to. Sounds good, eh? Sadly, this is just the promising beginning of a story that, for a long time, doesn’t seem to go anywhere. George is bold to a fault, but never hesitates to help if she’s needed. She does...